B.B. King left a legacy as America’s Musical Goodwill Ambassador to the world: There’s going to be a killer blues session in heaven tonight


In the wake of B.B. King’s death, the mass media has focused on his legacy as the “King of the Blues,” which was earned through hard work, song writing, distinctive singing, lyrical guitar playing style and a unique ability to blend the blues with other musical styles. However, King’s most significant legacy was his struggle against hardship and poverty to become America’s musical goodwill ambassador to the world.

Blues legend B.B. King performs at the 2011 National Memorial Day Concert at the U.S. Capitol in Washington, D.C., May 29, 2011.

Blues legend B.B. King performs at the 2011 National Memorial Day Concert at the U.S. Capitol in Washington, D.C., May 29, 2011.

“B.B. King was born a sharecropper’s son in Mississippi, came of age in Memphis, Tennessee, and became the ambassador who brought his all-American music to his country and the world,” said President Barak Obama in a statement on April 15. “No one worked harder than B.B. No one inspired more up-and-coming artists. No one did more to spread the gospel of the blues. There’s going to be one killer blues session in heaven tonight.”

B.B. King died at the age of 89, while sleeping at his home in Las Vegas at about 9:40 p.m. on April 14, 2015. King continued to work until recent health problems surfaced on Oct 3, 2014. He did not feel well enough to finish his performance, at the House of Blues in Chicago. A doctor found King was dehydrated and exhausted. King cancelled the eight remaining shows of his 2014 tour, which had 70 scheduled dates. He lived with type 2 diabetes for about 30 years ago and died from a series of mini strokes. King was also hospitalized in March due to dehydration and exhaustion.

This was not the first time President Obama has honoured B.B. King for his legacy of overcoming adversity and representing America around the world. King was invited to the White House in February 2012 to perform at a concert called Red, White and Blues, which celebrated blues music and Black History Month. Buddy Guy coaxed Obama to sing a few lines of “Sweet Home Chicago”, while Mick Jagger gave him the microphone. This video shows Obama singing a short duet with B.B. King.

King’s first trip to the White House came during George Bush’s 1989 inauguration. The newly-elected president joined him onstage, playing a white Fender guitar. Under the Clinton administration, King was awarded the Kennedy Center Honors during a ceremony at the White House. In 2001, Clinton joined King onstage playing the saxophone at an event in Beverly Hills. George W. Bush pays tribute to the legacy of King in the following video. King is being awarded the Presidential Medal of Freedom in December 2006. The medal is the highest civilian honor the U.S. government offers.

King achieved international fame over a six and a half decade career, but his commercial breakthrough occurred in 1968 at the Fillmore West in San Francisco. When King arrived, he called his road manager to say, “I think they booked us in the wrong place.” King was confused, because he saw “longhaired white people” lining up outside. Promoter Bill Graham introduced him to the sold-out crowd of enthusiastic, appreciative, younger, new fans. Everybody stood up out of respect. This was the first time King got a standing ovation before playing. He was overwhelmed and broke into tears of joy.

Poster of B.B. Kings first concert at the Fillmore in San Fransisco in 1969. Photo Credit - Smithsonian Institute

Poster of B.B. Kings first concert at the Fillmore in San Fransisco in 1969. Photo Credit – Smithsonian Institute

This was a turning point in his B.B. King’s career, because blues had been falling out of favour with African-American audiences, since the late 1950’s. The performance at the Fillmore marks a watershed in the expansion of King’s audience worldwide, and he toured the world for next 47 years. Charles Sawyer, the author of B.B. King’s 1980 biography “The Arrival of B.B. King,” said King performed 100 nights a year well into his 80s and has done about 18,000 concerts in 90 countries. This means he played more than 300 shows a year for three decades.

Sawyer observed in 1995 that King had taken over the position of America’s unofficial musical ambassador of good will from Louis Armstrong, who left the post vacant after his death in 1971. Armstrong brought ensemble jazz from the saloon to the silver screen and onto the diplomatic circuit where it became a symbol of America in the 20th century. Armstrong and King both shifted the cultural center of gravity of the world by their contributions to American music.

Several other significant events set the stage for King’s role as a musical ambassador. In 1969, King opened for the Rolling Stones on 18 of their American concerts and he appeared on The Tonight Show. After the Rolling Stones featured King, he released “The Thrill is Gone” in late 1969. King performed on The Ed Sullivan Show in 1970, giving him exposure to 50 million viewers. Finally, in 1970, “The Thrill Is Gone,” reached #3 on the R&B charts and #15 on the pop charts. The song was King’s first crossover hit, which also earned him the Grammy for Best Male R&B Vocal Performance.

King played “The Thrill Is Gone” during a concert in Kinshasa, Zaire, as part of the build up to the world heavyweight fight between Muhammad Ali and George Foreman in 1974. King gave one of the most thrilling performances of his life before a crowd of 80,000 people. He was accompanied by James Brown and other African-American artists, who reveled in their return to the motherland.

bb-king 3oclock

The rise to fame for King began with the recording of “Three O’Clock Blues,” which entered Billboard magazine’s Rhythm and Blues charts in December 1951 .The song spent 17 weeks on the charts, including five weeks at number one and was one of the top-selling R&B records of 1952. “3 O’Clock Blues” launched King’s career and provided his first opportunity to gain a national audience. The song was first recorded by Lowell Fulson in 1946 and was released in 1948. It was Fulson’s first hit.

King had a major breakthrough in 1949, when he cut his first four tracks for Jim Bulleit’s Bullet Records and signed a contract with the Bihari Brothers’ RPM Records. The Biharis recorded “Three ‘Clock Blues in 1951. The first big break for King came in 1948, in Memphis, when he performed on Sonny Boy Williamson’s radio show on WDIA. As a result, King got a steady engagement at the Sixteenth Avenue Grill in West Memphis and a 10-minute spot on WDIA. King was known as the Beale Street Blues Boy, but as his popularity on WDIA increased, he shortened the name to “Blues Boy King” and B.B. King.

King married his first wife, Martha Denton on Nov. 11, 1944 in his hometown of Indianola. He hitchhiked to Memphis the first time in May, 1946, after wrecking his boss’s tractor. Once in Memphis, King found his cousin Bukka White, who was a country blues guitarist. White taught King the finer points of playing blues guitar for ten months. After returning home to be with his wife Martha, King returned to Memphis in late 1948.

B.B. King in 1971. Photo Credit - Wikimedia Commoms

B.B. King in 1971. Photo Credit – Wikimedia Commoms

Riley B. King was born on Sept. 16, 1925, to Albert and Nora Ella King, in Berclair, Miss., a hamlet outside the small town of Itta Bena in the Mississippi Delta. Albert and Nora Ella King were hardworking sharecropping farmers, who had lived in Mississippi all their lives. Nora left her husband Albert for another man when Riley was 4 years old, but she died five years later. Riley was raised by his maternal grandmother Elnora.

Riley went to Elkhorn School, which was right across the road from and affiliated with the Elkhorn Baptist Church. Nora and Elnora were very religious and Nora sang in the choir. The minister of the church, Archie Fair, taught Riley how to play the guitar and he became an important part of choir.

Young King began listening to the music at his Great Aunt Mima’s house, where he heard the music of Blind Lemon Jefferson and Lonnie Johnson on records. King dropped out of school in tenth grade and earned a living picking cotton. In his youth, King played on street corners for change and earned more in one night singing than he did in one week working in the cotton field.

BB King' marries Sue Hall in June 1958. Photo Credit - Smithsonian

BB King’ marries Sue Hall in June 1958. Photo Credit – Smithsonian

When “Three O’Clock Blues” became a hit in 1952, King divorced Martha, after eight years of marriage. One of the reasons Martha divorced King was because he was performing an average of 275 one night stands every year, all over the country. King was a major star when he married his second wife, Sue Hall, on June 4, 1958. He was divorced a second time in 1966.

King did not have any children with his wives, but he fathered 15 children with 15 different women. He is survived by 11 children. Three of them had recently petitioned to take over his affairs, asserting that King’s manager, Laverne Toney, was taking advantage of him. A Las Vegas judge rejected their petition in May, 2015.


Who’s your daddy? The Father of Blues Music


The blues is an orphan. No single person can take credit for inventing this unique American musical form. It was born from extreme hardship and suffering. The slave trade murdered, raped and kidnapped Africans and transported them away from their home in the bottom of ships. Slave owners removed the identity of the slaves, by taking away their language, religion, history and names. This is the most serious case of the blues in the history of the world.

The psychological well-being of any child or group of people is dependent on an intimate knowledge of their parents, especially when they have suffered a serious trauma. So, it is important for modern African-American music lovers to know the answer to one simple question:  Who’s your daddy?

W.C. Handy "Father of the Blues”. African-American composer, musician and music publisher.

W.C. Handy “Father of the Blues”. African-American composer, musician and music publisher.

Many people have claimed to be the “Father of the Blues”. But, an African-American composer, musician and music publisher named William Christopher Handy is the man who catapulted the blues into the mainstream of American popular music. W. C. Handy published a song in 1912 called “Memphis Blues.” The song started a blues craze and was popular with both black and white people. It launched the blues as a mass entertainment genre that would transform popular music worldwide.

The song spread by the sale of sheet music and by the fact that every dance band in America was being was playing it. Handy was not rewarded financially, because he sold the rights to the song. As a result, he set up a business to retain ownership of his songs and to create his own publishing venture. Morton Harvey was the first to sing “Memphis Blues” on record. His rendition of the song on Victor records was cut on Oct. 2, 1914 and issued in early 1915. It is the earliest known vocal record of a song with “blues” in the title.

The following version of the Memphis Blues is played and sung by Louis Armstrong, who is founding father of Jazz. It is probably the best version of the song and was Armstrong’s favourite.

Handy’s next hit was called “St. Louis Blues,” which was released in 1914 under the Pace & Handy Music Company.  The song told the story of the hardships Handy experienced in this city. Handy produced other hits including “Yellow Dog Blues” (1914) and “Beale Street Blues” (1916). He would eventually copyright and compose dozens of songs. His business became known as Handy Brothers Music Company, after Pace left the venture.

W.C. Handy said the essence of blues music was revealed to him in 1903, when he was working as a band leader in Clarksdale, Mississippi. He was passing through the little town of Tutwiler and ran into an itinerant street guitarist at the train station.

“A lean, loose-jointed Negro had commenced plunking a guitar beside me while I slept. His clothes were rags; his feet peeped out of his shoes. His face had on it some of the sadness of the ages,” said Handy in his 1941 autobiography, Father of the Blues. “As he played, he pressed a knife on the strings of a guitar in a manner popularized by Hawaiian guitarists who used steel bars. The singer repeated the line three times, accompanying himself on the guitar with the weirdest music I ever heard.”

The following video of Bukka White demonstrates the slashing slide style and pounding chords that Handy observed at the train station. White was born on a farm near Houston, Mississippi, Nov. 12, 1909.

The music Handy heard was “weird” because it was new. The man was singing “Goin’ where the Southern cross’ the Dog,” which referred to the crossing of the Southern and Yazoo & Mississippi Valley railroads in Moorhead, forty-two miles to the south. The railway was nicknamed the “Dog,” or “Yellow Dog.” Handy later published an adaptation of this song as “Yellow Dog Blues,”

Without getting too technical, Handy imposed a somewhat-artificial structure on blues music, which is known as the 12-bar form with its three-chord basic structure. The blues progression has a distinctive form in lyrics, phrase, chord structure, and duration. In its basic form, it is predominantly based on the I-IV-V chords of a key. The blues can be played in any key.The 12-bar blues or blues changes is one of the most prominent chord progressions in modern popular music.

W.C. Handy was born in Florence, Alabama in 1873, to Elizabeth Brewer and Charles Barnard Handy, who were emancipated slaves. Handy, who was musical from an early age, lived in a log cabin built by his grandfather, a local minister.

W.C Handy at the age of 19 years old

W.C Handy at the age of 19 years old

The young Handy pursued his passion for the cornet, despite opposition of his father. Charles Handy, who was also a minister, discouraged his son from playing secular music. W.C. Handy was supported in his musical pursuits by his maternal grandmother. However, his father paid for organ lessons, which was an instrument approved by the church.

At the age of 15, Handy joined a minstrel show, only to return home when the traveling troupe ran out of money. Later, he studied at the Teachers Agricultural and Mechanical College in Huntsville, Alabama, receiving his degree in 1892. He then became a schoolteacher in Birmingham in 1893 and briefly worked in a piping company, but decided to pursue his music career.


On his second venture from home, Handy formed a band and set off for the Chicago World Fair in 1893, with 20 cents in his pocket.  But, when the fair was postponed, the band was forced to split. Handy experienced sporadic employment, poverty, hunger and homelessness in the next few years and ended up in St. Louis. He tried to forget this experience. However, it was the inspiration for his first great hit.



Handy died in March 1958 at the age of 84 at Sydenham Hospital in Harlem of acute bronchial pneumonia. He enjoyed a long and often ground-breaking career as a bandleader, composer, and publisher.

As the Father of the Blues, Handy provided a strong foundation for the development of blues as a popular musical form in America, as well as all other genres of modern African-American music. As a result, Handy is the father of a large family of children, including gospel, spirituals, ragtime, jazz, house, doo-wop, rhythm and blues, rap, rock and roll, funk, hip hop, soul, disco and techno.